Seven di DC Future State. La penultima settimana per uno degli eventi di fumetti più ambiziosi da … Okay, X of Swords non è stato molto tempo fa, ma prima è passato un po ‘di tempo. E davvero, lo stato futuro è anche molto più ambizioso. La Marvel non ha chiuso l’intera linea solo per raccontare a X delle spade, dopo tutto. Ma ora che siamo nelle ultime due settimane (che coprono questo, cioè), stiamo vedendo come tutto si riunisce – o quanto sono stato sbagliato negli ultimi quattordici articoli. potrebbe andare in entrambi i modi.
Superman: Worlds of War #2 usa diverse storie incompiute nella Settimana del Future State DC Future State
Qualunque altro altro che diventa forte Anakin contro Kenobi sulle vibrazioni Mustafar qui? (Immagine: DC Future State: Superman: Worlds of War #2, DC Comics)
Quindi, in DC Future State: Superman: Worlds of War #2, abbiamo quattro fili che devono riunirsi. In primo luogo, Superman che rompe le catene degli schiavi nell’arena. In secondo luogo, Mister Miracle riporta le comunicazioni. In terzo luogo, Midnighter prende la falsa kryptonite. E in quarto luogo, Black Racer conduce schiavi gratuiti da sotto l’arena. Tuttavia, non vediamo mai come tutti questi thread si uniscono; Spero che accadrà la prossima settimana. Per ora, diamo un’occhiata a come sono arrivati a questi punti – perché il fumetto, anche se incompiuto, era ancora dannatamente buono.
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I lotti di morti di Superman Part 2 iniziano DC Future State Week Seven con potente emozione
Questo è ciò che otteniamo quando l’arte eccezionale e la scrittura formidabile si scontrano in qualcosa di eccezionalmente toccante. (Immagine: DC Future State: Superman: Worlds of War #2, DC Comics)
Scrittore: Phillip Kennedy Johnson
Artista: Mikel J́anín
Colorista: Jordie Bellaire
Ultimo numero, la prima parte di questa storia mi ha accecato. Sebbene fatturato come una storia di Planet Hulk, ciò che Johnson ci ha dato invece è stata una storia straordinaria sul valore di Clark Kent, non solo Superman. Una giovane donna che frequenta una vigilia di Superman si scatena per delusione perché tutto ciò di cui ogni individuo vuole parlare è Superman. Vuole parlare di Clark Kent. Nella Settima Settima statale DC, scopriamo cosa indica quando dice che Clark l’ha salvata.
Mentre vediamo Superman sul gladiatore Ring, otteniamo anche uno degli articoli di Clark. In particolare, un necrologio su un cittadino della metropoli che è morto senzatetto, ma ha avuto comunque una vita eccezionale. Tuttavia, non “sorprendente” nel senso di “grande”, ma un vero stupore. Edgar Watters era un musicista, un eroe di guerra, un attivista per i diritti civili, un politico, un filantropo e altro ancora. Potrebbe essere morto anonimo e solo, ma ha avuto molto più impatto sulla metropoli di quanto qualsiasi individuo realizzi. Sadie, la giovane donna, era pronta a saltare da una sporgenza, ma il post di Clark la ispirò a continuare a vivere. Non c’è vita persa.
E vediamo Superman su Warworld, nei pozzi di combattimento, rompendo lentamente le catene di tutti gli schiavi di Mongul. Scopriamo anche che il mongul uccide abitualmente Superman e lo risorge solo per combattere e morire di nuovo. Inoltre, otteniamo un fantastico cliffhanger mentre gli schiavi di Warworld reggono le loro catene rotte. Mongul potrebbe voler iniziare a correre ora.
Time and Effect La seconda parte ha una classica spiegazione di fantascienza per quello che è successo a Mister Miracle
Ok, sono molte navi aliene dall’aspetto malvagio che si avvicinano, ma hai le cose del disco magico, starai bene. (Immagine: DC Future State: Superman: Worlds of War #2, DC Comics)
Scrittore: Brandon Easton
Artista: Valentine de Landro
Colorista: Marissa Louise
Mister Miracle è uno dei pochi personaggi (forse l’unico) che ha ottenuto quattro capitoli nelle storie di backup. Ma c’è una presunzione qui. Easton stava effettivamente raccontando due storie diverse. Nella prima storia, Jonathan Kent aveva appena ridotto Metropolis e l’aveva messa in un globo di neve. Quasi immediatamente, questi strani robot si sono presentati e hanno iniziato ad attaccare le persone senza motivo. Ma poi la prossima volta che abbiamo visto Shiloh, resuscitò su Warworld. Quindi … sappiamo che è morto. Non è stato fino alla settimana successiva, tornando alla prima storia, che scopriamo come. Dopo aver usato tutto il potere della sua scatola madre per uccidere i robot, uno di loro è rimasto abbastanza per sfuggirlo all’esistenza. Eppure c’è ancora quella domanda persistente: chi ha inviato i robot, per cominciare.
Era Mister Miracle. Sì! Tempo di fisica del ciclo temporale. Shiloh ha inviato un messaggio sulla Terra, ma è stato intercettato da Jonathan Kent, che, non conoscendo il contesto, pensava che provenisse dalla sua metropoli in miniatura. Ha dispiegato i robot per neutralizzare quella che pensava fosse una minaccia. Quella minaccia? Mister Miracle, che hanno ucciso e inviato a Warworld, dove ha inviato un messaggio alla Terra che Jonathan Kent ha intercettato, ma non l’ha fatto – vedi? Un po ‘loop. È un po ‘eccezionale che non abbiamo ottenuto un così classico trope di fantascienza fino alla Seven della DC Future State Week. Tuttavia, anche se è un classico headscratcher, Easton lo usa meravigliosamente. Inoltre, avanti e indietro Between the two stories made the narrative even better.
In DC Future state Week Seven, Mister miracle Fixes a plot hole from Superman of Metropolis.
Can you describe that one a lot more time? (Immagine: DC Future State: Superman: Worlds of War #2, DC Comics)
At the same time, it answers the question of how long Metropolis was in the dome. Bene, un po ‘. even though to Jonathan, it was just a long day, the space travel they encountered thanks to brain Cells warped the time around the dome. We actually knew that already, from Superman of Metropolis #2. However, that time variance also affects the time distance between earth and wherever brain Cells took the city. So, while Johnathan Kent and Kara Zor-El can fly to that point in the universe in a day, the actual difference in time for earth was several months—maybe even years, considering the sentiment around Jonathan in Superman: Worlds of war #1. Time variation by means of space travel, always a headache, right?
Midnighter part II uses a lot more Time loops – and a baby Midnighter!
Awwwwwwwwwww! (Immagine: DC Future State: Superman: Worlds of War #2, DC Comics)
Writers: Becky Cloonan and Michael W Conrad
Artist: Michael Avon Oeming
Colorista: Jordie Bellaire
When we last saw Midnighter, he was facing his husband, Apollo, in a lab on Warworld. but did Apollo really go evil? Of course not, and no one is deceiving Midnighter. He doesn’t need the supercomputer in his brain to know that this is a Trojan Horse. Actually, it’s the CEO of Trojan Solutions, Andrej Trojan. A bit on the nose. but hey, marvel has a character named Victor Von Doom, so this isn’t even that bluntly literal. Trojan wants humankind to “ascend” by getting rid of the body and replacing it with wires and mechanics. Yet his explanation is actually kind of profound. He tells Midnighter, “Suffering is brought upon by the very meat we mistake as the self.” Sure, it’s a villain speaking, but it’s also the best argument against America’s toxic diet culture. but instead of becoming robots, we can be content with the bodies we have.
More Time travel Shennanigans in DC Future state Week Seven
We’ve already some crazy time travel in DC Future state week seven, with Mister Miracle’s experience. but get ready for some bizarre scenes. Actually, remember that scene in Avengers: Endgame when Ant-Man keeps trying to travel through time, but time traveled through him? ad we got baby Ant-Man, old man Ant-Man, and teenage Ant-Man? Midnighter gets that treatment. When Trojan turns on a time nexus machine, we get the baby Midnighter seen above, and then he’s sped forward into old man Midnighter. Yet, while he’s old, another Midnighter shows up through the Nexus to help him.
It turns out he was helping all along and was from the past. come è possibile? because the old man version goes through the Nexus, becomes the proper age again, and figures out a way to get to war world in the future to help his older self do exactly that. What does the younger Midnighter do after he tosses his older self through the Nexus? Not quite sure. He says he’s stuck in a paradox, but he also seems complimentary from it too. like I said before, time travel – amirite?
Now, moving on to the last Superman: Worlds of war story in DC Future state week seven.
Black Racer part II Exemplifies the greatest fault in DC Future state Week Seven: fun Stories, No real Resolutions
Her dating profile said “kind of tall,” not “monolith tall.” (Immagine: DC Future State: Superman: Worlds of War #2, DC Comics)
Writer: Jeremy Adams
Artist: Sia Oum
Colorist: Hi-Fi
So, this story is a bit hard to critique. On the one hand, the Black Racer’s character development was wonderful. However, there’s no resolution to the story. We get the continually recurring “The End” with a question mark. and the same happened in every story of DC Future State: Superman: Worlds of war and other week seven titles. but for now, let’s focus on Black Racer, because she’s an exceptional character.
Her backstory isn’t clear, but her motivation is. someone killed her, and she wants revenge. Yet, while blasting her way through the lower rings of Warworld, she inadvertently starts leading a rebellion. and while she’s not there to lead freed slaves, she still lets them join her. I don’t know where this character will pop up next, but I hope we will see a lot more of her soon. Also, hopefully, we’ll see what happens to Warworld in DC Future state week eight considering that we only got “to be continued” in week seven.
Immortal wonder woman #2 features two of the best stories in DC Future state Week Seven
about the same chances of me getting a date with Gal Gadot. (Image: DC Future State: Immortal wonder woman #2, DC Comics)
Wonder woman is having a terrific few years, but not just because she’s had a hit motion picture and a big (yet divisive) sequel. She’s risen to such prominence in DC Comics, both as a franchise and as a character. As we saw at the end of Dark Nights: deathMetal, she literally ascends to a godhood above the pantheons – to one who can shape the universe. However, along with Diana, the rest of the Amazonian warriors are also doing well. Sure, Yara got her own series for DC Future State. but Nubia gets a terrific conclusion in week seven, even if it’s the backup story of Immortal wonder Woman. So, let’s take a look!
Diana prince part 2 might Be the most stunning story of This entire Event
Writers: Becky Cloonan and Michael W Conrad
Artist: Jen Bartel
Okay – how to review and recap this without crying. Cloonan and Conrad wrote what really must have been the last story of DC Future State, not in week seven. Come mai? because it’s literally about the end – and beginning – of everything. wonder woman is alone at the end of time, one of just two souls left in the universe. She keeps trying to find signs of life, but after eons, she nearly gives up hope. But, finally, she runs into one last living soul, the Spectre. It’s a deeply emotional exchange. Spectre was just waiting for wonder woman to find him so that he could finally die. and then there’s this exchange:
At least with writing, no one can see me crying. (Image: DC Future State: Immortal wonder woman #2, DC Comics)
When Spectre dies (which, just writing that, the metaphor is a bit of a smack in the face, but not a bad one), wonder woman finally succumbs to the darkness destroying the universe. but then something expected and yet still extraordinary happens. She outlasts the darkness and sparks a new universe. But, let’s just let Jen Bartel show us because her artwork in this comic is amazing. Plus, it indicates I don’t have to keep trying to avoid getting weepy.
Semplicemente bellissima. (Image: DC Future State: Immortal wonder woman #2, DC Comics)
Nubia chapter 2 Brings Power and legacy to DC Future state Week Seven
Villain problem: must they run or just cower(Image: DC Future State: Immortal wonder woman #2, DC Comics)
Writer: LL McKinney
Penciler: Alitha Martinez
Inker: mark Morales
Colorist: Emilio Lopez
Where Diana Prince’s story was about the end of all things, Nubia’s story transcends past and, well, the present future state. Last issue, Nubia kicked the crap out of the goddess – or godling – Grail. Grail gathered various artifacts of power that do what all-powerful artifacts do: release some kind of evil dark thing. but that doesn’t matter. What does matter is what we learn about this wonder Woman, Nubia. Or, must we call her the Guardian? Because, as it turns out, she’s vital when it pertains to guarding such things as evil artifacts.
When Grail summons the goddess Circe, she thinks the goddess will easily remove Nubia’s tiara, which is actually another goddess’s crown. but the a lot more Circe tries to get the crown off of Nubia, the a lot more tough it becomes. Finally, Circe breaks something – the shackles holding Nubia back. The “lost Amazonian” [turned out to be] the protected Amazonian. Oh, protected by whom? all of THE GODDESSES. mostly the Yoruba river goddess Oshun.
Nubia kicks both Circe and Grail’s asses and takes the artifacts back to her aunt’s for safekeeping. It also leaves Nubia in a place for an amazing solo series, which is probably the point. However, unlike all the stories in Superman: Worlds of War, Nubia’s story both concludes and leaves her story open. The way comics are meant to work.
And that just leaves us with one a lot more DC Future state week seven story.
Shazam #2 Confirms a major theory about the Unkindness and the teen Titans
any individual who can strike concern in Shazam must themselves be feared. (Image: DC Future State: Shazam! #2, DC Comics)
Writer: Tim Sheridan
Penciler: Eduardo Pansica
Inker: Júlio Ferreira
Colorist: Marcelo Maiolo
Isn’t it terrific when you read one comic, form a hypothesis, and it actually turns out right? Okay, sure, I was absolutely wrong about Red Hood being Peacekeeper-01 in the Gotham Future state stories, but I at least got this one right. At the end of Future State: teen Titans #2, we see Shazam taking Raven,